Consistent with the thesis of Our Faith in Evil, Frankfurter challenges the social/cultural value invested in the traditional concept of evil by revealing how this fictional concept creates very real horrors in human community. For publisher's information click on the title.

Featured reading among recent additions to this site:


W. B. Macomber's
Love and Culture

A Philosophical commentary inspired by Plato's Symposium
Chapters released monthly
For Table of Contents, further information,
and chapter links click
here

The Zeugma Mosaics
Beautiful GrecoRoman art saved from a flooded section of the Euphrates River. See the video fly-through at this link for the 14 room Roman villa that housed these amazing mosaics.

Our Faith in Evil: Melodrama and the Effects of Entertainment Violence (2006) . . . a provocative re-analysis of the stalemated debate over the possible harmful or beneficial effects of fictional violence, with emphasis on film. Proposes a resolution based on differences between melodramatic and tragic models of conflict and corresponding dramatizations of evil. Book description, chapter outline, reviews, and excerpts here Author interview here  Press release here Amazon.com "Search Inside the Book" and free shipping here Barnes & Noble member discount and free shipping here Order from the publisher here

Deconstructing Harry Potter: Hidden Cultural Costs of the Most Popular Children's Fantasy (2008) Through the structuring of its primary conflicts it is argued that the Harry Potter books and films encourage readers and viewers to adopt narrowly reductive ways of understanding and managing conflict. Published as Chapter Eight in Transformative Communication Studies: Culture, Hierarchy, and the Human Condition  Edited by Omar Swartz (2008) Text preview here Amazon.com ordering here Order from the publisher here

Potential Effects of Violent Video Games The Wilson Quarterly, Autumn 2006, pp. 9-10 Video games teach players to overcome challenges through analysis, strategy, problem solving, code breaking, and innovation. But are these the only things they might be teaching? In addition, games that involve players in “virtual worlds” raise their own set of questions: What kind of world is being constructed? Do the primary virtues and skills inculcated in that world correspond to virtues and skills needed in this one? See commentary here

No Country for Old Men: A Violent Look at Violence Based on the novel by Cormac McCarthy and winner of four Academy Awards including Best Picture, Best Director(s), Best Adapted Screenplay, and Best Supporting Actor, this film makes judicious, non-sensationalistic use of violence to raise troubling questions about how to respond to and make sense of deadly violence. It explores many masks of violence as these emerge through contexts ranging from the social to the military to the existential. See commentary here

Cult of the Kill: Traditional Metaphysics of Rhetoric, Truth, and Violence in a Postmodern World (2002, Revised 2006) As a thorough introduction to the complex landscape of postmodern language theory, Cult of the Kill examines the latent violence inherent in language as a tool for community formation and deformation. Each chapter examines different ways in which key postmodern thinkers contribute to exposing the metaphysical underpinnings of radical conflict, exclusionary divisions, and scapegoating practices. Book description, chapter outline, reviews, and excerpts here Amazon.com "Search Inside the Book" and ordering here Save and order direct from the publisher here

Misunderstanding Derrida and Postmodernism: Ken Wilber and "Post-Metaphysics" Integral Spirituality An examination of the views of Ken Wilber concerning deconstructive postmodernism and the themes of "nonduality" and "enlightenment" as broadly expressed in his recent book Integral Spirituality--wherein the question of the metaphysics of traditional spirituality and its relationship to issues of conflict and violence is also addressed. See commentary here And further commentary here

The Sopranos: Gratuitious Violence or High Drama? Why all the praise for a show featuring so much violence, especially in a culture where criticism of media violence has been such a mantra in the last several decades? In the words placed on the back cover of The Sopranos and Philosophy, “Is there something ethically or psychologically damaging in the fact that millions of TV viewers regularly identify with a murderer?” Perhaps those who enjoyed The Sopranos have some answering to do. If so, this commentary may help. See commentary here

Memoirs of a Geisha: Melodrama or Tragic Drama? Can a modern American male write a credible “memoir” of geisha life? Probably not. But those who criticize the book or the film for failings with regard to accuracy in depiction of the geisha life and in other historical and cultural details of Japanese life of the period may have misunderstood the nature of the art they are evaluating. What may look like an historical or period drama may not be a story about the geisha life, the sex trade, or a gender specific story relevant primarily to the lives of women. See commentary here

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