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If
all the world is a stage, to borrow a theatrical metaphor, the 20th
century brought with it the nearly apocalyptic culmination of two
millennia of melodrama. Portraying life as essentially a contest of
good and evil, heroes and villains, melodrama yet remains the
predominant genre in the global social and political spectacle. Hitler
and Stalin emerged in the past century as exceptional contributors to
this dark drama, but lesser counterparts may be found in every decade
and in every corner of the world. As anti-icons, Hitler and Stalin
figure not so much as embodiments of evil as instead the most extreme
symptoms and symbols of ways of seeing that divide the world into the
good and evil of a "sacred" order on the one hand and pollution of that
order on the other. This melodramatic division of the world provides
the grounding justification for acts of victimage and brutality that
are understood by perpetrators as acts of purification and
decontamination serving to bring about a more utopian social order—a
social order against which there will finally stand no opposition, no
enemy. The radical polarization at the core of melodrama has deep roots
across cultures and belongs to a more general division and dialectic so
elemental as to function almost as instinct. And within the qualifier
“almost” lies the opening for much of the
discussion
herein.
The
term
“instinct” is used only to emphasize the
reflex-like,
mechanical, and prereflective way in which the melodramatic dialectic
emerges in human behavior. Shifting from biological to philosophical
terminology, the elemental nature of this seemingly instinctive
dialectic may be usefully termed
“metaphysical”—since
metaphysics deals with the deepest layers of philosophical
presupposition. But metaphysics may hope to differ from instinct in
that its "prereflections," however elemental, may not be fixed or
innate. Over the last three centuries, especially the 20th century, an
apparent alternative to this dialectic has begun to gain faltering but
slow cultural traction—but
not without considerable warranted and unwarranted suspicion. More
specifically this transition has occurred as a metaphysical shift from
the premodern to modern/postmodern—where
“modern” is
understood as the initial wave of the postmodern.
To
date, the postmodern
shift has found reception primarily in the realm of imagination and
theory, especially in science. As will be argued more fully, the modern
and postmodern begin with Descartes and Newton and gain momentum and
more thorough expression with later theorists, most notably in the work
of Einstein. That Einstein was chosen as the “Man of the
Century” by the editors of Time Magazine
speaks volumes for the breadth of influence of the postmodern paradigm
shift in science that has led to the technological transformation of
the world. This transformation has brought many grand achievements. But
these achievements are matched by even greater
failures—failures
that are the direct result of changes the culture of the 20th century
proved thoroughly inadequate to absorb.
The
notoriety for the
most indelible symbolic impression of the power of technological
revolution, and the question mark hovering over it, surely belongs to
the atomic bomb and its mushroom cloud signature—the
bomb Einstein’s physics helped make possible. But images of
the
bomb’s detonation pale beside images of the aftermath of its
deployment at Hiroshima and Nagasaki in 1945. These images also now
symbolize something very untechnological and evoke even larger and
darker clouds and question marks.
As
the most potent
image of the dawning postmodern era, the bomb also symbolizes the
potency of the metaphysical shift that underlies its
creation—a
shift that places unparalleled postmodern power in the hands of still
largely, by metaphysical practice, premodern 20th century cultures. The
dangerous disparity of this intra-cultural metaphysical collision
resembles, on a smaller scale, the disturbing dissonance produced by
the image of a child holding a gun. The atomic bomb along with other
technologies—biochemical, genetic,
and cybernetic—have,
through exponential increase in technological control, heightened the
stakes of social and political dramas to a degree necessitating
unprecedented intensive and sober reflection on the wisdom of a
continued melodramatic unfolding of global social and political
culture.
As
might be
anticipated, effective response to the current crisis must be in kind.
Relative health may be restored to the human drama only by changing the
drama. Although contributions from the following areas may help,
significant change will not be accomplished by technological
refinements, improved communication, more equitable distribution of
wealth, or broader access to political power. Changing the
drama necessarily depends upon changing the underlying metaphysics.
This study attempts to describe in detail the crux of difference in the
confrontation between premodern and postmodern metaphysics and the
difference that crux makes with respect to quality of human relations
and quality of life. What is argued to be at stake in this
confrontation may be brought into better focus by a preliminary account
of these metaphysical alternatives and the particular way in which the
term “metaphysics” is used in this text.
For
purposes herein
metaphysics is closely allied with dialectic. The possibility for
dialectic begins at the moment when what may be called an
“alternative” emerges. Strict or linear causality
may be
understood as a process whereby movement or change can take only one
course—thereby admitting no alternative. Where movement and
change remain receptive or open to the possibility of more than one
course, then linear causality yields to variable causality. When such
is the case, movement and change may be understood as driven by chance.
The effects of dialectic may be distinguished from the effects of
chance when and where it becomes possible to foresee the way in which
alternatives constitute differences by leading to different outcomes.
The ability to foresee outcomes has been traditionally a talent, among
others, attributed to subjectivity. Consequently, dialectic and
subjectivity become inseparably linked. Furthermore, the effects of
dialectic may be distinguished from the effects of chance only when it
also becomes possible, having sorted one
“alternative” from
another on the basis of foreseen outcomes, to select one alternative
over another.
Dialectic
is not itself
sealed off from the effects of its origin. Whatever may be understood
to give rise to the possibility of an “alternative”
may
also be judged to account for and open up alternative modes of
dialectic. Dialectic becomes multiple as soon as dialectic becomes
possible. Reduced to its most elemental structure, every mode of
dialectic presents a tension or difference between two
alternatives—the structure of oppositional relation. The
possibility of alternative dialectics, then, gives rise to alternative
ways of understanding oppositional relation.
Emerging
as the
dialectic within dialectic, these alternative structures of
oppositional relation will be called, for purposes herein, alternative
metaphysics. The term “dialectic” will be used,
then, to
refer to the dualistic operations that follow from a particular
metaphysical alternative. As a designation of the mode of dialectic,
metaphysics corresponds to the most elemental component of
belief—of which three will be identified and discussed:
premodern, modern, and postmodern. It should be acknowledged, however,
that these three alternatives, while very comprehensive, ought not to
be regarded as exhausting all possible alternatives.
The
term
“premodern” refers to belief dominated by the
structure of
oppositional relation exemplified in the classical metaphysics of Plato
and Aristotle (as they have been traditionally interpreted). This
premodern structure organizes the most fundamental conflicts between
alternatives in such a way that one side functions as a whole in
relation to an opposite held to be alien, invasive, and thereby
inessential to the whole. An essential difference between each side of
the opposition results in an inessential relation where
“essential difference” indicates that the one can
never be
reduced to the other and where “inessential
relation”
indicates that one may occur without the other. In addition, the
essential difference of the premodern opposition posits a quality of
discreteness of essence such that essential features do not in any way
overlap or intersect. In this sense each side of the opposition, when
confronted by its opposite, is a “pure” essence or
a
“pure” unity invaded by the contamination of a
purely
“other.” This structure is exemplified in the
traditional
understanding of the opposition between the pure and the impure.
Associated
with a
departure from tradition, the term “modern” in this
case
signals a break with the traditionally favored structure of
oppositional relation. The modern relation posits a duality whereby one
side is held to be integral to, while also perpetually subordinate to,
the other. Here the essential difference between opposites enters into
essential but fixed hierarchical relation where “essential
relation” indicates that one never occurs without the other.
This
structure appears in standard versions of the Cartesian subject/object
duality where, in unidirectional determination, the object becomes
object in relation to a subject. The essential relation posited by this
structure remains problematic, however, insofar as fixed hierarchy may
ultimately imply inessential rather than essential relation. In other
words, the modern oppositional relation may be an unstable hybrid
structure. As will be seen in the chapters that follow, especially
Chapter Three, the difficulties posed by Cartesian metaphysics provide
motivation for the postmodern metaphysical alternative.
The
term
“postmodern” identifies that shift in the structure
of
oppositional relation whereby each side participates in a
“whole” never reducible to one or the other nor
reducible
to a fixed ratio of one and the other. Here the irreducibility of
essential difference coordinates with the inseparability of essential
relation yielding a participation of essences not predicated upon nor
necessitated by a more originary essence. This participation
corresponds to an either/or alternation that is also a both/and
alternation; each side of the opposition may be seen in terms of the
other but the two never coalesce into a transcendent unity. Like the
modern, the postmodern essential relation is always hierarchical—in that one side or the
other dominants—but
the potential for alternation in this relation insures a fluctuating
rather than fixed hierarchy. Since oppositions that might be chosen to
exemplify this relation may be readily misunderstood as examples of
either premodern or modern structures, no example will be offered at
this point. More will be said about this structure in the chapters that
follow where, in greater context, the examples may be more clearly
illustrative.
The
essays comprising
the following five chapters are closely related and sequentially
explicate the tensions between premodern and postmodern metaphysics and
the consequences attending the influence of one and the other. Shorter
versions of three of the five essays have been previously published.
The three appendices expand upon issues raised in the essays.
Chapter
One compares
the work of Kenneth Burke and Friedrich Nietzsche, arguing that the
works of each find common ground in a similar understanding of the
hortatory nature of language-using. This parcel of common ground,
however, gives way to a broader and more consequential dissimilarity
when measured against radically differing conceptions of the negative.
Burke’s dramatism highlights a sacrificial negative derived
from
a premodern metaphysics—or
what in the context of this chapter is called a cathartic metaphysics.
Nietzsche’s perspectivism, on the other hand, places emphasis
on
a discriminative negative which, it is argued, is compatible with key
aspects of postmodern views exemplified in, for example, the works of
Gilles Deleuze and Jacques Derrida. The contrast Burke and Nietzsche
present in understanding the operations of the negative suggests an
important distinction between two possible genres of dramatism. These
two possible genres correspond to two metaphysical alternatives that
open upon the question of the differences between the premodern and the
postmodern.
Chapter
Two takes up
the discussion of metaphysical alternatives by contrasting the subtle
but significant difference between the views of Martin Heidegger and
Jacques Derrida in the context of language theory and the problem of
textual interpretation. Derrida’s deconstructive inquiries
expose
the sense in which Heidegger’s hermeneutic strategies fall
prey
to “a decision concerning metaphysics” or what
Derrida
describes more emphatically as “the metaphysical
exigency”—the
most urgent, fundamental, and pervasive concealed decision or unargued
assumption in a philosophical position. Concerning this metaphysical
exigency, Derrida has in mind the implicit and protracted favoring in
oppositional relation of one side over the other. This protracted
favoring is consistent with the characterization of oppositional
relation peculiar to traditional or premodern metaphysics as well as
modern metaphysics—although
Derrida simply ascribes it to the tradition of metaphysics in general.
The differences between Heidegger and Derrida center upon four themes
crucial to theory relating to language, communication, and rhetoric:
intersubjectivity and disclosure of being (Heideggerian terminology for
“truth”). The confrontation between deconstruction
and
hermeneutics brings into question not only the possibility of
communication but also the value of communication. In so doing, the
confrontation raises the possibility of a thoroughly rhetorical
understanding of language-using while also raising the question of what
might be the characteristics and potential benefits of such an
understanding.
The
examination of
theory in relation to interpretation, rhetoric, and communication
alongside Derrida’s discussion of the metaphysical exigency
serves also to illustrate an often unnoticed consequence: any theory of
meaning, interpretation, rhetoric, or communication is necessarily
already a metaphysical choice. The way in which the workings of
language are fundamentally understood is symptomatic of an attachment
to a metaphysical alternative. In this sense a theory of meaning in
language may condition or reflect a theory of meaning in general and
thereby a theory of the meaning of life—insofar as metaphysics
may be seen as the rock bottom(s) of belief.
Having
exposed the
possibility of the postmodern metaphysical alternative in Chapter One
and having identified the consequences of that alternative in relation
to language-using in Chapter Two, Chapter Three explores how alignment
with one metaphysical alternative or the other may make a significant
difference with respect to actions and their political and social
outcomes. Turning to Kenneth Burke, Chapter Three begins by
highlighting A Rhetoric of Motives
where Burke persuasively demonstrates how the core motivational
resources of rhetoric circulate around the terms
“Order,”
“the Secret,” and “the Kill”—a
triumvirate Burke also collectively evokes with the ominous but
accurate phrase “Cult of the Kill.” This view of
rhetoric
provides the starting point for a comparison between Burke’s
dramatism and Heidegger’s philosophy of Being in the context
of
Heidegger’s association with National Socialism and
Burke’s
comments (unlinked in his texts) on Heidegger’s philosophy
and
Nazi ideology. It is argued that the texts of both Burke and Heidegger,
while appearing to side with a postmodern oppositional tension,
ultimately remain consistent with premodern metaphysics and a
sacrificial understanding of the negative. Although the texts of both
show elements of an alternative to traditional metaphysics, that
alternative never rises to a decisive displacement of the premodern
oppositional orientation as central in their thinking.
Using
similar
strategies, Burke and Heidegger both retreat from the postmodern
alternative but
differ markedly in their responses to premodern metaphysics and its
manifestation in Nazism. This difference is used to gain a better
understanding of Heidegger’s response to Nazism as well as a
better understanding of the relation between traditional metaphysics
and the postmodern alternative. The latter, it is argued, mitigates the
consequences of the orientation to the negative that, as part of
premodern metaphysics, promotes an increased vulnerability to the
dangers of victimage brought to tragic perfection in the Holocaust.
This alternative also reveals the sense in which the
“metaphysical exigency” discussed in Chapter Two
that
Derrida identifies with traditional metaphysics may be broken into a
subtle distinction between two metaphysical exigencies: one consistent
with patterns of unworthiness or impurity (premodern) and the other
consistent with patterns of subordination (modern).
Chapter
Four moves to a
more historical discussion of the development of metaphysics as it has
coursed through natural science in theoretical physics and through
human science in language theory. This discussion is organized around
the issues raised in the Sokal hoax of 1996. Specifically, Alan
Sokal’s concern about a decline in intellectual standards
includes an indictment of what he calls current
“subjectivist” trends accompanying a general
erosion of
“objectivity” stemming from postmodern views such
as
deconstruction. This erosion is identified most importantly in
postmodern claims about the instability of rigorous (in this case,
essentializing) distinctions between opposites. It is argued that the
deconstructive practice of disturbing the status quo between opposites
extends as far back as Newton and constitutes one of the central themes
of physics since the Enlightenment. The historical discussion moves to
a summary of the parallel developments in physics and language studies
from Newton to Einstein and from Saussure to Derrida. These
developments are shown to support the contention that to question
postmodern language theory exemplified in deconstruction necessitates
questioning also the parallel developments in physics from Newton to
the present.
Current
theory in both
physics and language studies has evolved to the point where maintaining
traditionally essential distinctions between opposites has become
largely a thing of the past. This trend necessitates, contrary to what
Sokal proposes and consistent with current themes in the rhetoric of
science, adherence to belief in a construction of reality in language
and experience that is nevertheless not essentially subjectivist nor
idealist.
Having
established in
Chapters One through Four metaphysical alternatives and the reasons for
preferring the postmodern alternative, Chapter Five focuses upon the
task of identifying more explicitly the features of a postmodern
approach to language. It is argued that a postmodern approach, as
suggested in Chapter Two, will not yield a theory of rhetoric within a
more encompassing view of language so much as it will yield a
rhetorical theory of language or language-using—where
the term “rhetorical” serves to indicate the
persuasive and
strategic effects of language in contrast to competing theories that
emphasize the possibilities, in one form or another, for coercive
effects. This approach is illustrated through the work of S. John
Macksoud who, among the first postmodern language theorists, is the
first to offer a thoroughly rhetorical theory of language-using.
Macksoud’s work occurred before popularization of the term
“postmodern,” but he understood that a transition
beyond
modern views of language entails moving in the direction of a
rhetorically rooted theory of language-using.
Derrida
has not
characterized deconstruction as “rhetorical” nor a
“theory”—choosing to avoid the baggage
associated
with both terms, and, in fact, avoiding explicit characterization of
deconstruction as much as possible. Nevertheless, his views show
remarkable similarity with Macksoud’s. Like Derrida, Macksoud
examines strategic and interpretive qualities of language-using. And
also, like Derrida, Macksoud finds that these qualities are not merely
incidental to language, characteristic of certain uses, but essential
to every use of language; every utterance covertly or overtly exhorts a
particular way of seeing and thereby advances an argument. These and
related insights prompt Macksoud to offer several elementary
propositions toward a rhetorical theory of
language—propositions
with which, it is argued, Derrida would largely concur. These
propositions complement four laws of language which may be generated
from Derrida’s work. Macksoud’s propositions and
the laws
based upon Derrida’s work provide a boundary within and
around
which it becomes possible to understand what it might mean to adopt a
postmodern approach to language consistent with a postmodern
metaphysics.
In
different ways and
from different directions each chapter makes the case for preferring
postmodern metaphysics, primarily in the form of deconstruction, over
available alternatives. For many this will not be experienced as a
welcome recommendation. Over the years it has circulated among various
academic departments and disciplines, deconstruction has provoked the
most vehement of critical responses and has been accused of being
compatible with the darkest and most destructive of social forces.
If,
as argued herein,
all language using is rhetorical, and the operative theoretical
grounding or justification for saying as much borrows heavily from
deconstructive theory, then any contemporary concern with the question
of the ethics of rhetoric is quickly overtaken by a concern with the
ethics of deconstruction. Deconstruction and its ethical implications
have been brought into question in no small part due to the
displacement of the notion of truth evidently necessitated by
deconstructive practices. Any orientation to truth that throws into any
degree of question the ability to speak the truth is an orientation not
likely to meet with favor within the halls of social institutions where
speaking the truth and discriminating between the true and the untrue
is judged to be essential to daily operations. But, as will be argued
throughout, deconstruction does not strip the value from notions such
as truth, subjectivity, and evaluation and thereby does not
precipitate, as some have argued, the end of philosophy.
The
question of the ethics of deconstruction has arisen in perhaps the most
public and disturbing way out of the controversies surrounding the Nazi
affiliations of Martin Heidegger and Paul de Man—one
a primary influence on deconstructive thinking via Derrida and the
other a significant colleague of Derrida’s in the development
and
popularization of deconstruction. Heidegger’s and de
Man’s
links to National Socialism are discussed in Chapter Three and in
Appendix C respectively and so will not be addressed here. At this
point it is sufficient to say that those who have attempted to make the
argument for a significant compatibility between deconstruction and
forms of authoritarianism, fascism, totalitarianism, nihilism, or
indeed any “ism” have extraordinarily misunderstood
deconstruction.
Those
who have found
significant compatibility between these ideologies and deconstruction
have no doubt been stupefied or outraged by one of Derrida’s
most
unanticipated claims. In a Cardozo Law Review
publication of 1990 Derrida boldly asserts that
“deconstruction
is justice.” On the face of it this equation seems fantastic,
especially when Derrida elaborates with the additional claim that
“justice is undeconstructible.” Given
Derrida’s
unbounded applications of deconstruction to every category and
discipline, most would have thought he would find nothing to be
“undeconstructible”—least
of all justice, for even Plato would seem to have found a way to
deconstruct justice. Nevertheless, Derrida’s claim that
“deconstruction is justice” should in itself be
sufficient—precisely
because of its unexpectedness—to prompt a rethinking of what
he
might mean by “deconstruction.” Offering one
possible
explanation of what he might mean may prove helpful in further
illuminating the reasons for recommending postmodern metaphysics.
In
postmodern
metaphysics in general, and in deconstruction in particular,
oppositional relation is structured (or, from the view of traditional
metaphysics, destructured) in such a way that both sides of the
opposition are, ultimately, equally essential and the hierarchy of
their relation becomes shifting and fluid; the
“other” is
always essentially included and never fixed in hierarchical
subordination. Even though unstable between the margins of hierarchical
play and power fluctuation, this relation may be likened to
“justice” as the name for an affirmation of an
openness
toward the other not only as person but also as what is and what is yet
to come. This “justice,” this affirmation, affirms
at the
deepest level of comportment toward being an openness to the
other—an essential inclusiveness and thereby always a
relative
balance through hierarchical fluctuation. The fundamental affirmation
of inclusiveness underlying, indeed constituting, deconstruction makes
it possible for Derrida to say that deconstruction is justice. This
inclusiveness, even where it may through various attitudes be refused
and denied, is nevertheless irreducible and thereby
undeconstructible—which is to say, one step beyond every
deconstruction.
Critics
of
deconstruction have been quick to draw attention to the troubling
consequence that radical inclusiveness, in the form of openness to and
affirmation of the other, is not a panacea for conflict and social
ills, especially when the "other" happens to march through the door as
Hitlerism, Stalinism, or some other variant of social cleansing
masquerading as utopia. However, as will be argued in the following
chapters, deconstruction's inclusiveness need not result in a paralysis
of moral conduct, a loss of critical discernment, or an inability to
identify and censure wrongdoing. While it may not be possible to guarantee
the practice of justice in the social context through the effects of
deconstruction, it is possible, through the adoption of these attitudes
rather than others, to better facilitate a balanced
participation in the avenues of power that comprise the lifeblood of
human community.
Specifically
with
regard to the problems of victimage and scapegoating, so thoroughly
analyzed by Kenneth Burke, the postmodern metaphysical exigency
accomplishes a displacement, while not an annihilation, of the
principle of exclusion. However, if Burke is correct concerning the
influence of the sacrificial negative, it is possible to make a fairly
certain prediction. Wherever a cathartic metaphysics with the premodern
structure of oppositional relation remains a dominant attitude or
belief structure in regions of intense conflict, initiatives and
negotiations of every kind—no matter how well
conceived or faithfully launched—will fail to produce
lasting peace or cooperation. Cathartic metaphysics preconditions
reliance upon the scapegoating mechanism—particularly
in crisis situations. This mechanism, with its destructive
consequences, has been all too evident in perennial areas of conflict
such as the Middle East, the Balkans, Northern Ireland, and
India/Pakistan—which also correspond to
areas of passionate religious conviction.
The
institutionalized
versions of religious belief in these troubled areas remain, in most
cases, compatible with traditions that clearly embody the structure of
oppositional relation corresponding to premodern metaphysics. Because
such traditions have ancient and thereby extraordinarily venerated
roots, even contemplating let alone mounting a critical examination of
the core of such beliefs has been, for most parties involved,
unthinkable. But based on the analyses presented in the chapters
herein, the sad possibility emerges that lasting peace in areas of
intense conflict, as well as in every corner of the world, may only
arrive when longstanding core beliefs are voluntarily subjected to
critique and exposed to the possibility that they may lie at the root
of the problem. If this text contributes to the possibility of such
critique and its potential benefits, then it will have served its
purpose.
Having
begun this Introduction with a provocative quotation from Derrida, it
would seem appropriate to conclude in the same way, especially since
Derrida provides a forceful and relevant summary to what is implied in
those initial words. This citation is taken from Derrida’s
1990
essay in the Cardozo Law Review where he ends his
discussion of the “Force of Law”—which features the work
of Walter Benjamin and, to a lesser extent, Martin Heidegger—with
thoughts on the possible “lesson” (to speak
inadequately)
that may be drawn from “the final solution.”
Derrida’s words summarize the intent of this Introduction and
the
chapters that follow as an attempt to call extraordinary attention to:
1) the general relation—indeed complicity—between
the metaphysics embedded in discourse (rhetoric) and motives governing
the quality of human relations, and 2) the particular complicity
between premodern metaphysics and motives of excision, victimage, and
violence Burke has so graphically named with the phrase “Cult
of
the Kill.” And Derrida’s words, marked in emphasis
below,
are words to which Burke, no doubt, would have given assent.
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