Culture
Highlights Column
Periodically Updated
Recommendations |
Featured music:
"Footprints
in Paradise"
Title track excerpt
from Larry Lagerberg's
first CD release.
Smooth, relaxing jazz.
Album available at Larry's website
here

Play music sample
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Recommended reading:
Nihilism in Film and Television
(2006)
by Kevin L. Stoehr
Stoehr offers a critical overview of the nihilistic vision of film noir
from Citizen Kane
to The Sopranos.
Though I offer an alternative to a noir interpretation of The Sopranos
(click here), Stoehr's chapter on this TV
series is insightful, as is the entire book. For publisher's
information click on the title.
Evil Incarnate: Rumors of Demonic Conspiracy
and Satanic Abuse in History
(2006)
by David Frankfurter
Consistent
with the thesis of Our Faith in Evil,
Frankfurter challenges the social/cultural value invested in the
traditional concept of evil by revealing how this fictional concept
creates very real horrors in human community. For publisher's
information click on the title.
Featured
reading among recent additions to this
site:
W. B. Macomber's
Love and
Culture
A Philosophical commentary inspired by Plato's
Symposium
Chapters released monthly
For Table of Contents, further information,
and chapter links click
here
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Recommended viewing:
No
Country for Old Men
(2007)
Directed by
Ethan and Joel Coen
Based on the novel by Cormac McCarthy and winner of
four Academy
Awards. See further comments and links on the home page.
Merry
Christmas
Mr. Lawrence
(1983)
Directed by Nagisa Oshima
Optimum's 2005 DVD release of this classic film contains an interview
with the author of the book on which Oshima's screenplay is
based--Laurens Van Der Post--as well as interviews with David Bowie and
Ryuichi Sakamoto. This World War II POW drama presents an extraordinary
clash of cultural differences and individual wills. Click on the title
above for my commentary on the film.
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Recommended art:
The
Salvador Dali Gallery
Browse a complete collection of Dali's work along with a wealth of
information about each work and his life
The Zeugma Mosaics
Beautiful GrecoRoman art saved from a flooded section of the Euphrates
River. See the video fly-through at this link for the 14 room Roman
villa that housed these amazing mosaics.
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Excerpt
from:
Burning Banks and Roasting Marshmallows:
The Education of Daniel Marleau
(The
novel is completed and due to be published Fall of 2009. Anyone who
would like to be informed of the release date and purchase locations
can leave a request at info@gregorydesilet.com. The time frame spans
January through June of 1970 and the book will contain numerous
photographs of campus and Isla Vista events of the period)
Canova
and I returned along Ocean Road. He left to check his store while I went to my
apartment. After tuning the radio to KCSB, I tossed together a scrambled egg
sandwich. According to reports, a crowd of about seven hundred gathered at
Perfect Park for the rally. But two blocks away a cruiser had already been
smashed, overturned, and set afire.
Now about three to four dozen cops,
clad in riot gear, moved on the crowd to clear the streets and prevent further
rioting. But instead of dispersing, the crowd charged, advanced on the cops,
and succeeded in driving them up Embarcadero del Norte. A reporter then commented
on the scene around the bank.
––We’ve just heard the Bank of
America has been broken into. Some reports are saying that fires have been
started inside . . .
I wasn’t expecting an attack on the
bank. I grabbed the camera and bolted for the door with part of the sandwich in
my hand.
––I’m going out there. If
they’re breaking into the bank, I need photos.
Matt supplied the voice of reason.
––Don’t do it, man. You’ll just get
busted.
––Thanks, see you later.
The
sun had set and it was now more difficult to see. Nearing the top of the loop,
I heard angry yells and rocks bouncing off the pavement. At the Enco gas station
on the corner, I approached a group that had just retreated from the street.
The cops occupied the park. Another group collected to my left. Several among
those in front of me gathered stones from behind the gas station. I stopped
beside a few others who stood motionless in the background along the curb of El
Embarcadero--watching and waiting.
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The cops slowly advanced toward us as
the group in front of me drew back, throwing rocks and taunting them. As I
moved with the crowd south along El Embarcadero, the sound of broken glass rang
piercingly from somewhere down del Mar. A couple of large rocks thudded and
rolled in the street near where a group of cops in riot gear now stood at the
southwest end of the park.
Suddenly a separate group of rioters,
surprising everyone—especially the cops, charged from the direction of the
Magic Lantern Theater. Throwing rocks and projectiles of every description, whooping,
hollering, and howling like villagers in pursuit of a Frankenstein, this coiled
mass thrust itself onto one side of the police line, breaking it apart and
forcing a rapid retreat of its dismembered parts west across the park. The
instant this group attacked, the group in front of me reversed direction and
joined the onslaught with matching war cries and rock volleys. I froze,
stupefied by the din they raised—banging sticks on metal garbage can lids,
screaming like savages, and slinging bottles and rocks in javelin-throwing form
across the park. Judging from the fury of their movements, they held nothing
back.
Within seconds the combined attack
of these two groups routed the cops, driving them in full retreat across the
park toward del Mar. I noticed one cop knocked unconscious by a brick. Two
others shouldered and dragged him along, straining to keep their shields toward
in-coming volleys. Sensing weakness, the rioters intensified the attack.
Several cops had by now received serious blows from the rocks. They limped on,
retreating as fast as they could down Seville Road.
The rioters didn’t let up. Here and
there two or three stopped to pick up something to throw. Busting apart large
rocks, tearing up loose chunks of asphalt, chipping off concrete from
curbs—anything they could rip apart and lay their hands on got thrown at the
cops as they retreated down the street.
In numb disbelief I staggered after
them, glued to the scene like a witness to a train wreck. Following the riot as
it coursed further down Seville, I saw where the crowd had broken out windows
in two realty offices on the south side of the street. Further down I paused to
attempt a photo of a few rioters passing under a streetlamp. My hands shook as
adrenalin jacked my nerve endings. Over the blood thundering in my ears I heard
another sound, an odd, out of place sound coming from my left. It was music.
Barely audible, I couldn’t make out what it was. Then the volume grew louder,
much louder, until it was unmistakable. The Rolling Stones’ “Street Fightin’
Man” blasted from an open window filling the night air up and down the street.
Some of the rioters cheered. The cops kept running until they were out of view,
chased by rioters who turned the corner after them and disappeared in pursuit.
Everyone was out of range now. I put
down the camera, hands still shaking, feeling fastened to the middle of the
street, listening to sounds from beyond the corner. Finally I stood and slowly walked
in the direction the rioters had gone. But at the intersection I turned away
from the rioting and went along Camino Pescadero toward the ocean. I needed to
cool down. A current swarmed all around. In the air. In the rioters. In the
cops. I felt it moving inside me.
After wandering the back blocks of
Isla Vista for awhile I came out at the top of the loop area again and approached
the bank. A hundred or more people were gathered in front. Smoke rose from
between pillars supporting the overhanging roof. Recessed lamps along the
overhang emitted dim cones of light through the smoke leaving the entrance in a
hazy, diffused glow. Remembering the camera, I snapped a picture, taking in most
of the crowd and the bank. <insert image E136 here>
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Moving
closer, I came to the edge of a bonfire fueled by an assortment of chairs,
table tops, cartons, paneling, papers, and other paraphernalia taken from
inside the bank and now mostly charred beyond recognition. Continuing left, I
knelt down and worked the light meter. Tri X Pan was fast film but with no
flash the shutter would be too slow for good definition. The light from the
fire would help. I set the shutter at 1/15th and pressed off a shot. <insert
image E126 here> I reset the speed to 1/30th and aimed the camera a little
more to the left across the flames and pressed off another. <insert image E125
here> Moving slightly closer, I took two more shots while steadying the
camera on my knee. As I stood up to get a better look, someone spoke from the
left.
––What’s with the camera, man?
Taking pictures ain’t cool.
––There’s not enough light to
get faces.
––All the same, point that
somewhere else.
Having
attracted unwanted attention,
I headed toward the back of the building. On the way, I passed several
small vertical windows. Through one rectangle flames could be seen
leaping toward the
ceiling. I stopped, pressed off a shot, and continued around back.
<insert image E130 here> As I turned the corner, two people
standing at
the entrance slipped inside the bank. At the opening, pieces of glass
from the
broken doors lay strewn across the lobby floor. I peered inside for a
few
seconds. There was barely enough light to see to the far side of the
room. Then,
on impulse, I stepped through the hole in the door and plunged into the
smoke-filled interior.
The
two who came in before me scanned the damage from the middle of the lobby. When
I appeared, they moved toward the door, glanced around, and left—perhaps
because they noticed my camera. Now alone in the room, my eyes adjusted to the
light and smoke, which wasn’t yet thick enough where I stood to make breathing
difficult. But I was too transfixed to breathe—gripped by an upheaval on the inside
that matched what I saw in the room.
Directly
in front of me, two large overturned lobby tables sprawled across the floor—one
on its side, the other with legs straight up. Toward the far side of the room
an L-shaped desk with a broken leg listed like a sinking ship in a sea of white
papers strewn from ransacked files. Steel cabinets and drawers protruded like
buoys through the surface of paper. A single ceiling lamp in the far corner
dimly lit the lobby wreckage. <insert image E131 here>
The
main source of light came from the corner beyond the teller windows where
something burned too brightly to see what it was. Flames reached halfway to the
ceiling and silhouetted teller windows extending along the lobby to the far
corner where it became difficult to see through the haze. <insert image E132
here>
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Alone
in the burning room, the strangeness of the scene choked me as much as the pungent
odor of smoke. I raised the camera, thinking it would record the unreality of
it all. After quickly pressing off three shots at different angles into the
room, I was about to take a fourth when two guys emerged through the broken
door. They walked past me as if I weren’t there. Surveying the destruction for
a few seconds, one then picked up several booklets from among the papers beside
a large desk and flung them across the room into the flames. The other did the same
with a light-weight chair. <insert image E133 here>
As they continued throwing debris
into the fire, I stared at the flames through the camera lens. The current I
felt earlier that night came over me again. Moving slowly, I bent down and picked
up a bound booklet. It read: Bank of America Audit Report 1969. The current got
stronger. I sailed it toward the fire, then picked up another and flung it. I
grabbed another. But while raising my arm to throw it, an image flashed in my
mind. I saw myself standing a few feet away, framing me in the viewfinder as I
was about to throw the book. My arm stopped. As I lowered it, I noticed the
other two in the room staring at me. Tossing the book aside, I turned and,
almost running, crossed over the strewn glass and out the doors.
Several people now gathered at the
back entrance. As I passed them I heard a voice. It was the last voice I wanted
to hear at the moment.
––I’ll be damned, Marleau! Is that gasoline
I smell?
Canova grinned, obviously pleased to
see me. For a second or two I stared at him with a face that conveyed God knows
what. Groping for words, I mumbled a response.
––You should get out of here.
Pushing past him, I crossed the park
in the direction of the beach. Surf pounded in the distance. I walked toward it
until I felt the sand beneath my feet and salt air on my face. It cleared my head
of the fumes, smoke, and bedlam that hung in the air over Isla Vista. Thoughts
whirled: What madness! What was I thinking?
Walking and listening to the surf, I
lost track of time. But when I started back, it must have been well past
midnight. Returning along El Embarcadero, an unusual light radiated from the
park area. When I reached the top of the loop, I stopped and stared in
disbelief. Flames engulfed the bank and smoke rolled above the walls into the
night. The roof and part of one wall had caved in.
When I’d left earlier I hadn’t
imagined that fires inside would consume the whole building. The firemen and
cops I had earlier expected to appear at any minute hadn’t responded. Instead, the
bank now succumbed entirely to flames and Isla Vistans controlled the streets. The
scene was hard to fathom.
People gathered around the park area
and along the street in front of the bank to watch. I walked around the loop
toward the Magic Lantern Theater. Some stood quietly gazing into the fire.
Others grouped together talking, laughing, and drinking from bottles of wine or
beer. A few others leapt around the burning wreckage, occasionally letting out
a yell and throwing something into the fire. I sat down on the sidewalk by a
brick wall fencing a flower bed next to the theater and watched the fire. The
pillars in front of the bank still held, but the front wall had caved inward
when the roof collapsed. The brick walls on each side and in back framed the
fire. It took the good part of an hour before the fire gutted most of the
interior.
They had done it. They had really
done it—whoever “they” were. Now all of us—whether residents of Isla Vista or
students of the University—were sailing together, like it or not, into
smoke-slickened, uncharted waters.
I stood up, tired and unable to stay
any longer. As I started to walk away, I noticed three guys doing something
near the front of the building where part of the fire smoldered. I approached
to within a few yards to one side of them. They held refashioned coat hangers
over what was left of the fire along the remains of the front wall. On the end
of the hangers were several marshmallows. The one closest to me raised his
hanger from the coals and with thumb and forefinger gingerly pulled at the end
marshmallow. It had gotten a little too blackened and oozed off the hanger,
slipping from his hand. He caught it before it hit the ground and raised it
over his head. Then it disappeared into his mouth.
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